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35mm film photo of seven beach huts in a row on a shingle bank. The three left huts are mint green with white doors, the middle one is red with its doors open showing two deckchairs inside, the three right huts are pale blue and shuttered.

Cut-paper collage of the same hot-sauce bottle drawn in three sizes, captioned "500ml", "250ml" and "100ml", every size carrying the wordmark "Anchor & Mill" with a six-tooth gear mark beside it in the same purple-and-white coloring, only the bottle size changing.

Underwater photograph inside a flooded apartment kitchen, silt green water, one window's worth of light from above. The refrigerator stands with its door swung open; three plastic bottles drift upward out of it, one still capped and two open and trailing bubbles, while a jar of pickles stays wedged on the middle shelf. A diver in a black wetsuit hovers to the right of the door, one hand on the top hinge, the other aiming a torch into the empty vegetable drawer. Two wooden chairs float against the ceiling above her, a third lies on its side on the tiles. Suspended particles, cold contrast, slow shutter softness.

Flat infographic titled "Inside the Recycling": at the center a flow chart from curb to sorting floor, carrying two keyed regions, "Paper" shaded blue and "Landfill" shaded gray, beside a right column of three stat chips reading "7,000 tons collected last year", "58% diverted from landfill" and "1 truck every 21 minutes".

Shot on 1970s Kodachrome era color film, warm grain and slightly faded reds. A stretch of the Berlin Wall on a grey afternoon, covered in overlapping graffiti with one clean unpainted panel in the middle. Three people stand on a wooden viewing platform at the left, two of them looking over the top through binoculars while the third has turned back toward the camera with a cigarette. Four bicycles lean along the base of the wall, three upright and one fallen on its side. A pram is parked below the clean panel with a small bunch of tulips wedged into a crack above it. No cars in the frame.