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Vinyl designer toy photography: six monkey figures on a glossy white riser, arranged in two rows of three. The back row is glossy mint green, the front row matte terracotta. Each monkey holds a different thing: a banana, a tiny camera, a skateboard, a coffee cup, an umbrella, and the last one holds nothing at all with both hands raised. Only the mint monkeys have gold-painted ears. Crisp studio lighting, tight reflections on the vinyl.

Flat infographic titled "State of Canopy". A simplified street map with shaded districts sits at the center, carrying three keyed regions, "Most trees" shaded dark green, "New planting" shaded light blue and "Fewest trees" shaded tan. Three stat chips run down a bottom row, reading "27% shade coverage", "1 tree per 26 residents" and "120 species in the register". Each key color matches the shading of the region it names.

Linocut print in a single blue ink: nine icicles hanging from a cabin gutter, the longest in the middle tapering down to the shortest at each end, three of them dripping, and a chickadee perched on the gutter directly above the second icicle from the left.

Flat vector illustration of the same food truck drawn in two sides, captioned "left side" and "front", every side carrying the wordmark "Salt Field" in the same pink-and-navy coloring, only the side changing.

An open spiral notebook shot from directly above, its pages filled with careful botanical illustration in ink and watercolor. On the left page, three pressed fern fronds taped down with handwritten notes beside each one. On the right page, a half-finished study of a foxglove stalk carrying five bells, the bottom two painted purple and the top three still bare outlines. A brush, two pencils and a jar of water sit above the notebook, and the wire spiral throws a shadow into the gutter.